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VERMEER'S HAT

The Seventeenth Century and the Dawn of the Global World

By Timothy Brook

Bloomsbury. 272 pp. $27.95 . . .

China.

Vermeer's Hat thus aims "to capture a sense of the larger whole of which both Shanghai and Delft were parts: a world in which people were weaving a web of connections and exchanges as never before." To do this, Brook looks at seven works of art -- not all of them by Vermeer -- "for the hints of broader historical forces that lurk in their details." For instance, in the chapter titled "School for Smoking," he notices that 17th-century Dutch porcelain, representing Chinese scenes, often shows people smoking. Where did the painter get the idea that the Chinese smoked? This leads to an overview of tobacco commerce and consumption in Asia, building on accounts of the shipping routes, the trade laws and the movement of silver, as well as tobacco, to the East. But Brook also takes time to discuss the social impact of chi yan or "eating smoke."

Such interlacing of the economic with the social and ideological Brook labels "transculturation," . . .

Commercially, the 17th century was an age of silver, tobacco and slaves, and Brook shows how the three interconnect to form an intricate economic network. This new international economy is revealed in every aspect of life, not only in the account books of the VOC and the histories of the Jesuit missionaries in China and Latin America, but also in the items depicted in paintings by a Delft artist who died young. All our experience is global. As Brook writes in his final chapter, "If we can see that the history of any one place links us to all places, and ultimately to the history of the entire world, then there is no part of the past -- no holocaust and no achievement -- that is not our collective heritage." Vermeer's Hat shows how this is true of the 17th century and by so doing provides not only valuable historical insight but also enthralling intellectual entertainment.

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